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Lot 55

Paul Neagu

Bronze Hand

[1970-1]

Bronze, wood, iron and plexiglass
33 x 22.5 x 3.5 cm (13 x 8.9 x 1.4 inch); 3.6 kg

Sold for €15,000

ADDITIONAL INFO

Artwork description

Dated on the left side, 1971. Signed, titled and dated on the back, "Paul Neagu, Bronze Hand, 1971"

Lot Notes

Bronze Hand is a complex and intriguing work by Paul Neagu that complements two other companion artworks, Full Hand and Empty Hand, created by Neagu between 1970 and 1971, which are now included in the collection of Tate Museum. The lot comes from Marina Dimitropoulos' collection and was featured in its catalogue. 

The hand is a motif that has been reiterated throughout the artist's oeuvre and has been linked by the artist to both humans’ creative capacity and their ability to perceive the sensation of touch. This duality reveals Neagu’s intention to emphasise the tactile quality of art as opposed to its traditional visual characteristics. As he wrote in the 1969 Palpable Art Manifesto!, "the eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete, seduced by photography, film, television", thus "you can take things in better, more completely, with your ten fingers, pores and mucous membranes than with only two eyes." To prove his point, Neagu created the three pieces mentioned above which, although conceived in the shape of a hand, can be disassembled and reconstructed by the spectator.

Neagu started the series of “tactile” and “palpable” objects in Bucharest in 1969 and continued it in London, between 1970 and 1972. The theme was explored through several important exhibitions that marked the artist’s introduction to the western European audience: in 1969, Tactile and Palpable Art at Richard Demarco Gallery, Edinburgh and Tactile Objects, in Bauzentrum, Hamburg, followed in 1970 by Tactile Objects and Anthropocosmos at the Sigi Krauss Gallery, London, Tactile Objects at the Compass Gallery, Glasgow in 1971, Anthropocosmos at Galerie Rivolta, Lausanne in 1972 and Tactile and Palpable Objects at Serpentine Gallery, London, in 1973.

The cell-like structure of the work underlines Neagu’s philosophy, according to which everything that exists is simultaneously distinct and interconnected. Neagu’s powerful vision proved particularly influential on prominent contemporary sculptors, such as Turner Prize winners Anish Kapoor and Tony Cragg.

ARTIST RESUME

Paul Neagu

Bucharest, Romania, 1938 - London, UK, 2004

Exhibitions:

Solo (Selection)
  • 2015 - "Paul Neagu: Palpable Sculpture", Henry Moore Institute, Leeds, UK (International)
  • 2014 - "Going Tornado", Ivan Gallery, Bucharest, Romania (National)
  • 2009 - Romanian Cultural Institute, London, UK (International)
  • 2000 - Museum of Modern Art, Ljubljana, Slovenia (International)
  • 1994 - Brukenthal Museum, Sibiu, Romania (National)
  • 1979 - “Great Gathering of Hyphens”, Institute of Contemporary Art, London, UK (International)
  • 1971 - Sigi Krauss Gallery, London, UK (International)
Group (Selection)
  • 2006 - "Artişti în exil", The National Museum of Contemporary Art, Bucharest, Romania (National)
  • 1997 - “Out of Actions - Between Performance and Object”, in Barcelona, Tokyo, Vienna, Contemporary Museum of Art, Los Angeles (International)
  • 1975 - “The Condition of Sculpture”, Hayward Gallery, London, UK (International)
  • 1969 - “Bauzentrum”, Hamburg, Germany (International)
  • 1969 - “Palpable Art Manifesto”, Demarco Gallery, Edinburgh, UK (International)
Biennial (Selection)
  • 2015 - "Mapping Bucharest: Art, Memory, and Revolution 1916–2016", MAK Vienna, Vienna Biennale (International)

Awards:

  • Tony Cobbeld Award, 1976
  • The Arts Council England Award, 1973

Collections:

  • Tate Britain, England, United Kingdom
  • Victoria and Albert Museum, England, United Kingdom
  • The Scottish National Gallery, Edinburgh, Scotland, United Kingdom
  • The Henry Moore Foundation, England, United Kingdom
  • Philadelphia Museum of Art, U.S.A
  • Fukuoka Museum, Japan
  • National Museum of Art, Romania

News & Events

NOTICE TO BUYERS

This Lot is exhibited at the Lavacow office.

In addition to the hammer price you will have to pay the buyer's premium, which represents 12% of the hammer price. Lavacow members benefit of a reduction of the tax to 10% in the case of 'Collector' members and to 8% in the case of 'VIP' members.

You can choose to pick up the Lot from the Lavacow office in Bucharest, free of charge, or have it delivered from our office to your address, in which case you will cover any related expenses and taxes.

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